Mastering the Art of Losing in Elizabeth Bishop’s Poem, One Art :: Elizabeth Bishop’s One Art

Mastering the ruse of Losing in Elizabeth Bishops Poem, One ArtIn the meter One Art by Elizabeth Bishop, the act of losing is elevated to the level of an nontextual matter form. Losing is, according to Bishop, something not to be mastered or dreaded. yet, the irony is that Bishop struggles to believe her own hypothesis-- that losing ... isnt hard to master... yet ... is no disaster... ( lines 1-3).Naming the poem One Art was done to show that the art of losing is one of many and loss is not to be taken as disaster or failure. Bishop maintains that most physical things, such as keys and watches, accept the inherent the desire to be lost. She knows that society is familiar with everyday loss, such as keys. Mastering this practice seems uniform and Bishop tries to influence that it is not disaster. However in line 10, the diction switches from the third person to being the prototypical person narrator. Now, the loss is personal- that of a person or relationship. She is not al together convincing everyone else that loss is no importance but trying and hoping to convince herself as well. The contrast here is, that both physical things and mental desires fecal matter be lost, but they should be taken emotionally the same, as suggested.Bishop writes with mode and makes tragedy into a parody. Exclamation marks and a clever rhyme scheme helps to create a silly sing- song poem, justifying that losing things mentally and physically has no shame. In this villanelle the rhyme scheme employed is A-B-A, with continual repetition of the words master and disaster, reinforcing the universal point thatThe art of losing isnt hard to masterso many things seem filled with the wrappedto be lost that their loss is no disaster.( lines 1-3)Stating Write It ( line 19) , And numerate ( line 10) are climactic points in which the speaker wishes to believe herself, that losing in reality is no disaster, so she must see it, and write it. In the beginning, the poem seems bub bly and unremorseful but as it develops, the speaker shows her real furor for something lost, .